Dance的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列訂位、菜單、價格優惠和問答集

RAM Gopal: Interweaving Histories of Indian Dance

為了解決Dance的問題，作者David, Ann R. 這樣論述：

Ann R David is Professor of Dance and Cultural Engagement at the University of Roehampton, UK. She specialises in dance anthropology and South Asian classical and popular dance and her dance training includes ballet, contemporary, folk dance, as well as bharatanatyam and kathak. Her research focuses

on dance and ritual practices in UK Indian communities investigating issues of migration, identity and embodiment, and the gestural, narrative and ritual practices of bharatanatyam. She has published widely on this work, as well as on dance in Bollywood, and on the ritual dances of Tibetan Buddhism

. She is passionate about the need for the arts and dance in education, working closely with policy makers in the arts and is on the Board of several arts organisations. She has given public talks at the V&A, the British Library, British Museum and National Portrait Gallery and been involved in post

-show discussions at Asia House, Nehru Centre, Sadler’s Wells, Southbank and The Bhavan.

Dance進入發燒排行的影片

內外在專注焦點對青少年網球選手發球表現之影響

為了解決Dance的問題，作者張惠茹 這樣論述：

　　目的：本研究目的在於探究內外在專注焦點指導介入，對於青少年網球選手發球效益。招募18 名國小青少年網球運動員為實驗參與者（性別：11男7女、年齡：9.22±1.33歲、球齡：2.72±3.27年、身高138.27±9.08 公分、體重 30.91±8.61公斤）。隨機以內外在專注焦點介入，進行10次（內在5次、外在5次）的網球發球。測驗前，給予熱身10分鐘和2次試發練習。根據發球落點以座標紀錄並獲取發球準確度參數，以Excel 進行數值分析，統計方式採相依樣本t檢定及內部一致性（ICC）資料分析，統計水準設定為α=.05。　　結果：實驗參與者執行內在專注焦點發球的ICC值為.71、執行外

在專注焦點發球的ICC值為.75，均具有不錯的一致性。不同注意焦點發球表現的t考驗結果p值為.002 達顯著水準。　　結論：外在專注焦點指導介入在發球穩定性及發球表現均優於內在介入。

Crazy Legs: A B-Boy from the Boogie Down Bronx

為了解決Dance的問題，作者Acevedo, Linda J. 這樣論述：

A boogie-down picture book biography about the innovative dancer Richard Col n--better known as Crazy Legs--who became one of the pioneers of breaking.Step back, step back Crazy Legs about to bust a move.Born in the South Bronx, Richard Col n grew up with salsa dance parties at home and DJs battlin

g on turntables on the street. Inspired by these new beats and the moves of James Brown, neighborhood boys and girls started dancing with a mix of twists, slides, and shuffles. The rhythm of the Toprock. Drop of the Six-step. Wiggle of the Worm. A new dance form called breaking was being created, an

d Richard wanted to be a part of it.With a signature style of quick and fiery footwork, Richard became known as Crazy Legs. Together with the Rock Steady Crew, he went on to perform for the president of the United States and the Queen of England, travelling the world to showcase his moves. Then Holl

ywood came calling and breaking was everywhere. Crazy Legs and his crew had come a long way from dance battles on the streets Debut author Linda J. Acevedo introduces young readers to a Puerto Rican boy who pioneered a new style of dance inspired by his surroundings. Coupled with award-winning illus

trator Frank Morrison's sinuous and pulsating art, Crazy Legs is an energizing ode to the Boogie DownBronx and to Hip Hop--a movement that would forever change the course of music, art, and culture. To the beat, y'all Linda J. Acevedo is a New York City native who was known to do the Toprock and

Worm at birthday parties and in her backyard. Growing up, Acevedo couldn’t find too many other Puerto Rican kids she could look up to, besides Menudo. She is thrilled she gets to share Crazy Legs’s story and the origins of Hip Hop with young readers.This marks her authorial debut. You can visit her

online at lindajacevedo.comFrank Morrison has illustrated numerous award-winning books, including the Coretta Scott King Illustrator Honor winner Little Melba and Her Big Trombone, published by Lee & Low Books. Before becoming an illustrator, Morrison was a well-known graffiti artist and accomplishe

d dancer. Morrison lives with his family in Georgia. You can learn more about him at morrisongraphics.com.

刺激還是悠閒？從冒險遊憩網站呈現內容看消費者的風險認知、刺激尋求對遊憩態度及行為意圖的影響

為了解決Dance的問題，作者朱怡亭 這樣論述：

近年來，冒險遊憩逐漸成為國人休閒娛樂的考量之一，然而過往少有研究將主題延伸至冒險遊憩的推廣，因此本研究著重於探討冒險遊憩推廣內容對於消費者的影響，以「冒險遊憩網站中呈現的刺激或悠閒內容」做為自變項，試圖影響「消費者的風險認知」、「遊憩態度」及「行為意圖」，並探討「刺激尋求」在這當中的調節作用。本研究採2（冒險遊憩網站活動項目：泛舟/獨木舟）x2（冒險遊憩網站呈現內容：刺激/悠閒）之雙因子研究設計，將所有受試者隨機分派至四種情境中，並以18-24歲的年輕族群作為研究對象，一共蒐集了379份有效樣本。研究結果發現，當冒險遊憩網站呈現的內容越刺激，消費者的風險認知會越高，進而導致遊憩態度降低，行為

意圖也跟著降低，顯示年輕族群並不偏好高風險活動。總結來說，年輕族群在選擇冒險活動時仍然是以安全為主要的考量，冒險遊憩網站若是想吸引多數人的參與意願，應採悠閒的策略較佳。