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Cast a Diva: The Hidden Life of Maria Callas

為了解決Happy icon的問題，作者Spence, Lyndsy 這樣論述：

The first biography of Maria Callas in over 15 years, and the first to portray her as a feminist icon rather than a bitchy diva Maria Callas (1923-77) was the greatest opera diva of all time. Despite a career that remains unmatched by any prima donna, much of her life was overshadowed by her fier

y relationship with Aristotle Onassis, who broke her heart when he left her for Jacqueline Kennedy, and her legendary tantrums on and off the stage. However, little is known about the woman behind the diva. She was a girl brought up between New York and Greece, who was forced to sing by her emotion

ally abusive mother and who left her family behind in Greece for an international career. Feted by royalty and Hollywood stars, she fought sexism to rise to the top, but there was one thing she wanted but could not have - a happy private life. In Cast a Diva, Lyndsy Spence draws on previously unseen

documents to reveal the raw, tragic story of a true icon.

Happy icon進入發燒排行的影片

音樂類型與音量對中高齡者之再認記憶與反應時間研究

為了解決Happy icon的問題，作者林嫦娥 這樣論述：

音樂帶給人們生活上的娛樂，除了享受音樂旋律與節奏帶來的愉悅感，人們也常在工作時聆聽音樂來舒緩情緒與壓力，但音樂類型與不同的音量大小會帶給人們不一樣的感受與心情，此一現象是否影響工作的專注度與績效，成為一重要之課題，因此本研究主要想了解，中高齡者於辦公室之音樂偏好與現況以及不同音樂之偏好程度與音量大小對於判讀不同資訊量時之再認記憶與反應時間是否有差異，本研究以問卷調查法與實驗法來進行，首先以問卷調查法針對 62 位年齡在 45 歲~65 歲之中高齡者進行調查，了解喜歡與不喜歡之音樂類型，結果發現在問卷調查結果 (1) 中高齡者習慣的音樂類型依序為經典流行類、純音樂/純樂器演奏及時下流行音樂；而

偏好的音樂為流行通俗音樂、民歌及鄉村民謠音樂與古典音樂；(2) 不喜歡的音樂則為嘻哈、RAP、饒舌樂 / 電子舞曲 (EDM) 電音音樂 / R&B、靈魂節奏藍調、靈魂樂；(3) 聽音樂主要是令人心情快樂、愉悅，且紓壓、陶冶性情、培養興趣；(4) 聽音樂的習慣以智慧手機為主；(5) 工作時播放音樂的主導權在於自己；(6) 而工作與音樂的關係均呈現正向肯定的態度。實驗方法則根據問卷之結果挑選喜歡與不喜歡之音樂各三首作為音樂樣本，並搭以3種音量 (40、50、60dB)，以耳罩式耳機聆聽的同時進行4種訊息數量之圖片再認任務，並將圖片呈現時間以1.5、2.5、3.5秒進行測量，針對41位45至 65

歲中高齡者進行實驗，以了解對其再認記憶與反應時間是否有差異，實驗結果發現 (1) 音樂類型對正確率與反應時間無顯著影響；(2) 音量對正確率無顯著影響，對反應時間有顯著影響；(3) 圖片呈現時間與圖片數量對正確率與反應時間均有顯著影響。

Icon: The Path

為了解決Happy icon的問題，作者Showunmi, Anna G. 這樣論述：

Anna G. Showunmi is a Liberian by birth. She was born November 19, 1995, raised and started her early education in Liberia. During the Liberian 2003 war, she fled along with her parents to Nigeria, where she spent six years learning their way of life and her native language. As a child, she develope

d an early interest in writing and often told stories to her classmates whenever permission was granted by her teacher. In 2007 after the war, she came back to her motherland and continued her education. In high school, she not only read the news but also volunteered in a journalism program and did

a period of broadcasting on the radio. As an only child, Anna became accustomed to creative writing and became more interested in reading different books whenever she was alone. She made several journals of every moment she shared with family, friends, and loved ones as a record of the pleasant, hap

py, and emotional moment with the aim of bringing those memories to life by writing. She graduated high school at the age of 17 and spent three years in college as an accounting student before traveling to the United States. It has been her dream to tell stories and have a book of her own. Coming to

the U.S. also changed some aspects of her life. Now she wishes to become a nurse as she studies at Northshore College.

開發紋身客戶「圖像、疼痛與焦慮」量表

為了解決Happy icon的問題，作者李宙勳 這樣論述：

紋身產業近二十年在全球快速發展，紋身成為藝術價值的表徵。隨著紋身技術、色料品質、器材設備、環境與紋身師傅知識水平的提升，使得消費者對紋身作品的需求量與期待升溫，已經奠定了紋身產業的經濟規模與市場價值。本研究聚焦於探究紋身消費者生理與心理的需求，以心理學理論為基礎，設計開發紋身客戶「圖像、疼痛與焦慮」量表，從消費者的圖像智力、忍痛度與焦慮程度來分析消費者的紋身動機，剖析與歸納消費者的特殊與潛在需求類型，適時提示並建議紋身師傅發揮恰如其分的風格技藝，以完善服務品質，進一步整合及規劃拓展紋身產業的行銷策略。