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The Ringmaster

為了解決The Antipodean的問題，作者Symon, Vanda 這樣論述：

The heart-stoppingly tense next instalment in the richly atmospheric, page-turning and international bestselling Sam Shephard series ... for fans of The Dry 'Finally, UK readers get to discover New Zealand's own Queen of Crime. Vanda Symon is a big talent and everything she writes is fast, intellige

nt and utterly gripping. In Sam Shephard, Symon has created a compelling series lead, and her treatment of small-town New Zealand is superbly atmospheric. This one's a cracker' Liam McIlvanney 'Vanda Symon is part of a new wave of Kiwi crime writers ... her talent for creating well-rounded character

s permeates throughout' Crimewatch 'It is Symon's copper Sam, self-deprecating and very human, who represents the writer's real achievement' Barry Forshaw, The GuardianDeath is stalking the South Island of New Zealand Marginalised by previous antics, Sam Shephard, is on the bottom rung of detective

training in Dunedin, and her boss makes sure she knows it. She gets involved in her first homicide investigation, when a university student is murdered in the Botanic Gardens, and Sam soon discovers this is not an isolated incident. There is a chilling prospect of a predator loose in Dunedin, and a

very strong possibility that the deaths are linked to a visiting circus... Determined to find out who's running the show, and to prove herself, Sam throws herself into an investigation that can have only one ending...Rich with atmosphere, humour and a dark, shocking plot, The Ringmaster marks the re

turn of passionate, headstrong police officer, Sam Shephard, in the next instalment of Vanda Symon's bestselling series. 'MUST HAVE' Daily Express 'A sassy heroine, fabulous sense of place, and rip-roaring stories with a twist' Kate Mosse 'Antipodean-set crime is riding high thanks to the likes of J

ane Harper and fans of The Dry will also like Vanda Symons' Red Magazine 'One of the best in this genre that I've read in years' Trena Marshall, Waikato Times 'A rollicking good read' Kim Knight, Sunday Star Times 'Lively evocation of small-town life, with a plot that grabs the reader's attention wi

th a heart-stopping opening and doesn't let go' The Times 'The Ringmaster is an absolute beauty of a read, well-written, absorbing, and extremely enjoyable' Liz Robinson, LoveReading 'The Ringmaster wowed me with its twisty journey, weaving various threads together, right through the shocking, and s

urprising, ending. This gripping series is a definite 'must read' for me - and for anyone else who loves entertaining, humorous crime fiction with plenty of heart' Off-the-Shelf Books 'This would be a brilliant holiday read, so if you're looking for a book to read on the beach, I can highly recommen

d this one' Segnalibro 'Atmospheric, gripping and incredibly satisfying; my only problem is that I read it too quickly and now have to wait for the next instalment ' Random Things Through My Letterbox 'With taut writing and brilliantly developed characters, this is turning into a must-read crime ser

ies. I, for one, can't wait to read more. Roll on book three' Hooked From Page One Vanda Symon is a crime writer, TV presenter, and radio host, and the chair of the Otago Southland branch of the New Zealand Society of Authors. The Sam Shephard series has been shortlisted for the Ngaio Marsh Award

for best crime novel.

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DVD與粉絲字幕版本之文化詞翻譯策略 比較:以影集《警網雙媚》為例

為了解決The Antipodean的問題，作者江宜儒 這樣論述：

本研究旨在探討台灣DVD字幕翻譯與中國粉絲字幕的文化詞翻譯策略之差異，並以美國影集《警網雙媚》作為個案研究。首先，作者採用量化分析針對兩種版本之文化詞進行翻譯策略比較，文化詞包括: (1) 專有名詞，如人名、地名、國家、城市、食物、飲料、物品、品牌和稱謂，(2) 固定用語，如慣用語和俚語。用於分析的翻譯策略包括:（1）直譯，（2）音譯，（3）文化對等，（4）改述， （5）增譯，（6）省略。統計結果顯示，翻譯專有名詞時，DVD版本最常使用的翻譯策略為文化對等(31%)。然而，音譯(40%)則是粉絲字幕最常用的翻譯策略。此外，翻譯固定用語時，兩種版本皆最常使用文化對等策略，分別佔有59%及57%

，但與DVD版本相比，粉絲字幕使用直譯策略之比例仍高於DVD 版本1%。 綜觀所有文化詞翻譯策略之差異，DVD版本之字幕翻譯偏向歸化，而粉絲字幕則較偏向異化。該現象可由Halliday（1978）語域理論中的語旨（tenor）及語式（mode）概念來作解釋。在語旨方面，受眾群的不同會影響譯者的翻譯策略選擇，DVD發行於台灣，故主要觀眾為台灣人，而粉絲字幕的主要觀眾為中國人。台灣殖民歷史與多元文化社會，促使台灣譯者偏向採用歸化策略，包括文化對等和改述。反之，中國歷史與專制體制，以及嚴格的電影審查制度，種種原因促使中國譯者傾向採用異化翻譯策略，包括直譯與音譯。此外，不同的播放媒介也會影響譯者的翻

譯策略選擇，為提高商業利益，DVD需經過審核以確保其字幕翻譯達到有效溝通。相較之下，網路版的粉絲翻譯缺乏審查制度，往往面對較難的翻譯問題時，譯者會選擇忠實翻譯策略。儘管本研究僅針對一部影集進行字幕翻譯策略分析，文化詞樣本亦稍嫌不足，但仍希望本研究能對文化詞之字幕翻譯及研究提供參考及助益。

Application of Social Media in Crisis Management: Advanced Sciences and Technologies for Security Applications

為了解決The Antipodean的問題，作者 這樣論述：

This book explores how social media and its advances enables citizens to empower themselves during a crisis. The book addresses the key issues related to crises management and social media as the new platform to assist citizens and first responders dealing with multiple forms of crisis, from major t

errorist attacks, larger scale public disorder, large-scale movement of people across borders, and natural disasters. The book is based on the results and knowledge gained during the European Commission ATHENA project which has been addressing critical issues in contemporary crisis management and so

cial media and smart mobile communications. This book is authored by a mix of global contributors from across the landscape of academia, emergency response and experts in government policy and private industry. This title explores and explains that during a modern crisis, the public self-organizes i

nto voluntary groups, adapt quickly to changing circumstances, emerge as leaders and experts and perform life-saving actions; and that they are increasingly reliant upon the use of new communications media to do it. Babak Akhgar is Professor of Informatics and Director of CENTRIC (Center of excell

ence in terrorism, resilience, intelligence and organized crime research) at Sheffield Hallam University and Fellow of the British Computer Society. He has more than 100 referred publications in international journals and conferences on information systems with specific focus on knowledge management

(KM). He is member of editorial boards of a number of international Journals, Chair and program committee member of several international conferences. He has extensive and hands on experience in development, management and execution of large international security initiatives (e.g. Application of s

ocial media in crisis management, intelligence based combating of terrorism and organised crime, Gun crime, cyber security, Big Data and cross cultural ideology polarization) with multi million Euros budgets. In addition to this he is the technical lead of 3 EU Security projects; ＂Courage＂ on Cyber

Crime and Cyber Terrorism and ＂Athena project＂ on Application of social media and mobile devices in crisis management and TENSOR on identification of terrorist generated internet content. He has co-edited a book on Intelligence management (Knowledge Driven frameworks for combating Terrorism and Orga

nised crime). His recent books are titled Strategic Intelligence Management (National Security Imperatives) and Information and Communications Technologies Emerging Trends in ICT Security, Application of Big Data for National Security and Cyber Crime and Cyber Terrorism-practitioners guide. Prof Akh

gar is board member of European Organisation for Security (EOS), and member academic board of SAS UK. David Waddington is Professor of Communications, Co-director of the Cultural, Communication & Computing Research Institute, Academic Chair of CENTRIC (Center of excellence in terrorism, resilience,

intelligence and organized crime research) and Head of the Communication & Computing Research Centre at Sheffield Hallam University (SHU). He was also Chair of his faculty’s Research Ethics Committee from February 2008 to February 2013. Waddington has been employed at SHU (which was previously known

as Sheffield City Polytechnic) since 1983 - initially as a Postdoctoral Research Associate on an ESRC project investigating ’Communication processes within and around ＂flashpoints＂ of Public Disorder’. This focus on the policing of riots, disorderly demonstrations and picket-line confrontations was

instrumental to the development of Waddington’s ’Flashpoints Model of Public Disorder’, which is frequently referred to in the European, North American and Antipodean policing literatures. Among his best-known publications are the seminal (with Chas Critcher and Karen Jones, Routledge, 1989); Conte

mporary Issues in Public Disorder (Routledge, 1992); Public Order Policing: Theoretical and Practical Approaches (Willan, 2007); Rioting in France and the UK: A Comparative Analysis (co-edited with Fabien Jobard and Mike King, Willan, 2009); and Riots - An International Comparison (with Matthew Mora

n, Palgrave Macmillan, 2016). Waddington is currently on the International Editorial Board of Mobilization: An international Social Movements Journal. From 2011-2013 he was External Evaluator of the EU-funded GODIAC project, which brought together 12 European partner countries in search of a distinc

tively more enlightened and permissive ’European approach’ to protest policing. Detective Inspector Andrew Staniforth of West Yorkshire Police has extensive counter-terrorism experience in the UK. As a professionally qualified teacher, he has designed national counter-terrorism training and exercisi

ng programmes, delivered training to police commanders form across the world and has supported missions of the United Nations Terrorism Prevention Branch. Andrew is a Senior Research Fellow at the School of Law, University of Leeds and a Non-Resident Fellow in Counter-Terrorism and National Security

at the Trends Research and Advisory Institute. Andrew is the author and editor of numerous articles on counter-terrorism and national security. His most recent books include; Blackstone’s Counter-Terrorism Handbook (3rd edition) (Oxford University Press 2013); Blackstone’s Handbook of Ports and Bor

ders Security (Oxford University Press 2013); Preventing Terrorism and Violent Extremism (Oxford University Press 2014); Cyber Crime and Cyber Terrorism Investigators Handbook (Elsevier, 2014); Blackstone’s Handbook of Cyber Crime Investigation (Oxford University Press in press 2017); and Big Data A

pplications for National Security (Elsevier 2015). Qualified in PRINCE2, Andrew now leads an innovative police research team at the Office of the Police and Crime Commissioner for West Yorkshire, progressing multi-disciplinary international research and innovation projects. Andrew is the Project Coo

rdinator of ATHENA, funded by the European Commission under the Seventh Framework Programme.

新加坡國家美術館的後殖民實踐： 常設展《在宣言與夢想之間：自十九世紀起的東南亞藝術》 之研究

為了解決The Antipodean的問題，作者林易萱 這樣論述：

新加坡國家美術館是「文藝復興之城計畫」的重要建設，由前政府大廈與舊最高法院改建，經過10年的籌備共擁有兩個常設展，其中「在宣言與夢想之間：自19世紀起的東南亞藝術」更是首個以東南亞藝術為主題的常設展。研究者透過文獻、展示與展板內容分析，探索新加坡國家美術館成立的過程及其再利用歷史建築的空間特色，並分析其東南亞藝術常設展所呈現內涵、及其如何與殖民歷史對話並再現後殖民的現況。新加坡社會在進入後殖民時期之後仍舊無法擺脫殖民主義的影響。為了形塑國族認同，以符合現代民族國家的身份，新加坡政府自獨立之後便透過各種文化政策推行藝文活動。2015年成立的新加坡國家美術館，除了完善了新加坡人身份的拼圖，常設展

並以東南亞藝術為焦點，企圖建構東南亞藝術史觀並回應後殖民處境與認同。空間上，國家美術館由兩座充滿殖民色彩的歷史建築改造而成，承載殖民時期的歷史、並融合新與舊的建築元素。透過舊法院建築的權威象徵以及展場空間佈置，常設展建構的東南亞藝術史因美術館具備的儀式性的特質與歷史感而變得更有說服力。透過分析展覽論述與作品分析，筆者發現其敘事除以19世紀作為開端，描述了東南亞藝術與殖民主義相遇的過程，重現了東南亞文化遺產在殖民時期的狀態；接著描繪20世紀初，東南亞藝術逐漸脫離殖民意識的歷程，以「傳統」與「創新」區分東南亞藝術家的蛻變，最後則討論二戰與獨立之後，東南亞藝術家運用藝術表達自我的政治立場並展現多元的

觀點，逐漸融入世界舞台的過程。整體而言，常設展作品展現了各種不同階級與種族，並呈現殖民者與被殖民者的互動交流，強調東南亞藝術家在後殖民處境下的混雜性以及流動性，企圖消弭中心與邊陲的分界，並從內部瓦解了殖民者對東南亞的錯誤凝視，以建構一個完整的東南亞藝術家蛻變故事，來映射東南亞與新加坡的成長與蛻變。